Jim Brown reseñó Orbital de Samantha Harvey
poetic prose and a compelling conceit
This book guides us through a a day in the life of a team of astronauts orbiting earth. But to it's a "day" is a bit misleading given how often the sun "rises" and "falls" on these characters. The book proceeds through 16 orbits, and it offers a map of those orbits at the beginning. But the book itself provides a map as well, constantly reminding the reader what part of the globe is passing underneath the international space station.
Beautifully written, and there are too many great moments to not them all here. But my favorite moment is this passage about Michael Collins famous photo of the lunar module leaving the earth's surface.
"In the photograph Collins took, there's the lunar module carrying Armstrong and Aldrin, just behind them the moon, and some 250,000 miles beyond that the Earth, a blue half sphere hanging in all blackness and bearing …
This book guides us through a a day in the life of a team of astronauts orbiting earth. But to it's a "day" is a bit misleading given how often the sun "rises" and "falls" on these characters. The book proceeds through 16 orbits, and it offers a map of those orbits at the beginning. But the book itself provides a map as well, constantly reminding the reader what part of the globe is passing underneath the international space station.
Beautifully written, and there are too many great moments to not them all here. But my favorite moment is this passage about Michael Collins famous photo of the lunar module leaving the earth's surface.
"In the photograph Collins took, there's the lunar module carrying Armstrong and Aldrin, just behind them the moon, and some 250,000 miles beyond that the Earth, a blue half sphere hanging in all blackness and bearing mankind. Michael Collins is the only human being not in that photograph, it is said, and this has always been a source of great enchantment. Every single other person currently in existence, to mankind knowledge, is contained in that image; only one is missing, he who made the image.
Anton has never really understood that claim, or at least the enchantment of it. What of all the people on the other side of the earth that the camera can't see, and everybody in the southern hemisphere, which is in night and gulped up by the darkness of space? Are they in the photograph? In truth, nobody is in the photograph, nobody can be seen. Everybody is invisible – Armstrong and Aldrin inside the lunar model, humankind, unseen, on a planet that could easily, from this view, be uninhabited. The strongest, most deducible proof of life in the photograph is the photographer himself – his eye at the viewfinder, the warm press of his finger on the shutter release. In that sense, the more enchanting thing about Collins's image is that, in the moment of taking the photograph, he is really the only human presence it contains." (63-64)
